1
00:00:00,199 --> 00:00:01,719
naravno da sam u 880-ima imam svoje

2
00:00:01,719 --> 00:00:04,520
karijera uh da pa je bilo jako teško

3
00:00:04,520 --> 00:00:07,400
raditi s klinovima i slično, ali mi

4
00:00:07,400 --> 00:00:11,480
znati Al neki moji prijatelji tebi ti

5
00:00:11,480 --> 00:00:16,050
dobrodošli g. Robert CL g. Jimmy P

6
00:00:16,050 --> 00:00:28,039
[Glazba]

7
00:00:28,960 --> 00:00:31,960
MRN

8
00:00:38,180 --> 00:00:58,920
[Glazba]

9
00:00:58,920 --> 00:01:01,640
n

10
00:01:01,640 --> 00:01:03,719
ovo je Robert Towns, a ja sam iza pozornice

11
00:01:03,719 --> 00:01:05,000
i kao što rekoh razgovarat ćemo s

12
00:01:05,000 --> 00:01:06,760
Robert Plant za minutu, ali svi

13
00:01:06,760 --> 00:01:10,439
ovdje Bob Gild Off stoji ovdje su 4

14
00:01:10,439 --> 00:01:12,240
3

15
00:01:12,240 --> 00:01:15,260
1 sretna Nova

16
00:01:15,260 --> 00:01:15,670
[Glazba]

17
00:01:15,670 --> 00:01:20,079
[pljesak]

18
00:01:20,079 --> 00:01:22,400
Godina koju bih vam želio predstaviti

19
00:01:22,400 --> 00:01:24,960
ljudi koji su radili jako jako

20
00:01:24,960 --> 00:01:29,360
teško za dvoje skoro 3 godine iz Maroka

21
00:01:29,360 --> 00:01:32,079
Ja sam zapravo gospodin Paul

22
00:01:32,079 --> 00:01:35,520
Martinez na bubnjevima iz Los Angelesa

23
00:01:35,520 --> 00:01:37,399
Kalifornijski g. Richie

24
00:01:37,399 --> 00:01:41,320
Hayward iz Walesa zemlje zmajeva i

25
00:01:41,320 --> 00:01:43,240
on bi trebao znati ako itko zna bi li ti

26
00:01:43,240 --> 00:01:45,840
dobrodošli na klavijature g. jez

27
00:01:45,840 --> 00:01:48,520
Woodruff čovjek s tisuću života i

28
00:01:48,520 --> 00:01:50,320
tisuću žena molim te

29
00:01:50,320 --> 00:01:53,479
dobrodošli gospodine Robbie

30
00:01:58,840 --> 00:02:01,840
tupim

31
00:02:03,160 --> 00:02:10,169
[Glazba]

32
00:02:11,330 --> 00:02:12,280
[pljesak]

33
00:02:12,280 --> 00:02:16,289
[Glazba]

34
00:02:19,640 --> 00:02:21,319
sporo

35
00:02:21,319 --> 00:02:24,680
ples ooh ne

36
00:02:24,680 --> 00:02:27,440
Ruke za

37
00:02:27,440 --> 00:02:31,500
ti novi moov to

38
00:02:31,500 --> 00:02:32,680
[Glazba]

39
00:02:32,680 --> 00:02:35,120
vidjeti F

40
00:02:35,120 --> 00:02:38,560
St u mraku

41
00:02:38,560 --> 00:02:41,360
kutovi za

42
00:02:41,360 --> 00:02:45,680
radiš što

43
00:02:46,620 --> 00:02:49,719
[Glazba]

44
00:02:58,760 --> 00:03:01,760
do

45
00:03:03,000 --> 00:03:06,450
ovo je pjesma iz

46
00:03:06,450 --> 00:03:06,490
[Glazba]

47
00:03:06,490 --> 00:03:09,759
[pljesak]

48
00:03:12,750 --> 00:03:15,969
[pljesak]

49
00:03:25,599 --> 00:03:27,920
1961. pa se čini da očito jesi

50
00:03:27,920 --> 00:03:30,360
uživajući u svojoj slobodi od

51
00:03:30,360 --> 00:03:32,280
znaš korporativni rock mogu li nazvati

52
00:03:32,280 --> 00:03:35,439
da, pa mislim da znaš da je

53
00:03:35,439 --> 00:03:37,280
vrlo osvježavajuće, baš je kao početak

54
00:03:37,280 --> 00:03:40,760
kako pjesma ide, stvarno sam uh ja

55
00:03:40,760 --> 00:03:42,400
znači da griješim i griješim

56
00:03:42,400 --> 00:03:46,799
pomažu ljudi, uh, svi daju

57
00:03:46,799 --> 00:03:48,319
malo me gurnuti u ovom smjeru i

58
00:03:48,319 --> 00:03:50,519
tom smjeru, ali uglavnom the

59
00:03:50,519 --> 00:03:52,480
pozitivno definitivno nadmašuje

60
00:03:52,480 --> 00:03:55,720
uh, čudna glupost, jako je dobro, dobro sam

61
00:03:55,720 --> 00:03:58,159
jako sam zadovoljan i stvarno je super biti

62
00:03:58,159 --> 00:03:59,879
ponovno u ovoj situaciji i to je

63
00:03:59,879 --> 00:04:02,280
zanimljivo da uh Leed Zeppelin

64
00:04:02,280 --> 00:04:05,280
nisu bili sjajan video bend sa sjajnom slikom

65
00:04:05,280 --> 00:04:06,920
Više su se oslanjali na svoje uh pa ja

66
00:04:06,920 --> 00:04:08,560
mislim da jesmo jer je slika bila unutra

67
00:04:08,560 --> 00:04:10,680
činjenica da nismo učinili bili smo

68
00:04:10,680 --> 00:04:13,200
potpuno udaljen i udaljen od svih

69
00:04:13,200 --> 00:04:16,120
medijska zastupljenost znaš da to mislim

70
00:04:16,120 --> 00:04:18,199
bila je izvanredna količina

71
00:04:18,199 --> 00:04:19,959
priče i legende i što sve ne

72
00:04:19,959 --> 00:04:22,560
Od tada sam na svom putovanju susreo

73
00:04:22,560 --> 00:04:25,759
mi smo potpuni glupani, ali mi smo bili

74
00:04:25,759 --> 00:04:27,080
svjestan da se sve to događa ali to

75
00:04:27,080 --> 00:04:30,479
bio najbolji oblik projekcije bio da

76
00:04:30,479 --> 00:04:32,120
ne čini ništa i ne govori ništa samo učini ovo

77
00:04:32,120 --> 00:04:35,440
nečuvene koncerte i ostaviti masivan

78
00:04:35,440 --> 00:04:37,360
upitnike iza nas tako da sam sada

79
00:04:37,360 --> 00:04:40,120
obilazeći ih sve brišući vezujući

80
00:04:40,120 --> 00:04:43,520
labavi krajevi jer nisam za to

81
00:04:43,520 --> 00:04:45,639
dolara, ali želim pustiti ljude

82
00:04:45,639 --> 00:04:48,240
znajte da sam ja Robert Plant i

83
00:04:48,240 --> 00:04:51,160
sve što je bilo prije je graciozno

84
00:04:51,160 --> 00:04:52,759
nestalo znate i ako je ovo dio

85
00:04:52,759 --> 00:04:55,850
način da to učinite onda dobro i

86
00:04:55,850 --> 00:04:58,560
[Glazba]

87
00:04:58,560 --> 00:05:00,890
dobar

88
00:05:00,890 --> 00:05:03,000
[Glazba]

89
00:05:03,000 --> 00:05:07,639
dan i svježinu donosi

90
00:05:14,440 --> 00:05:17,440
Rel

91
00:05:18,280 --> 00:05:24,690
[Glazba]

92
00:05:24,919 --> 00:05:28,280
još uvijek iza sigurnosti

93
00:05:28,280 --> 00:05:34,080
gdje trenutno živiš Wales

94
00:05:34,080 --> 00:05:37,600
oh um Engleska desno Wales to je dio

95
00:05:37,600 --> 00:05:39,600
od Britanaca o da, ali to je

96
00:05:39,600 --> 00:05:42,080
kišovito

97
00:05:42,480 --> 00:05:49,720
[Glazba]

98
00:05:49,720 --> 00:05:53,240
dio ožujka 1984. sjednice za huny

99
00:05:53,240 --> 00:05:54,919
kapaljke volumen jedan dogodio se na

100
00:05:54,919 --> 00:05:57,479
Atlantic record studio u New Yorku

101
00:05:57,479 --> 00:06:00,120
potaknut Atlanticovim vlastitim Amed tiganom

102
00:06:00,120 --> 00:06:02,479
robbert plan snimio je EP obrade 50-ih

103
00:06:02,479 --> 00:06:05,319
pjesme uz shikova frontmena n Rogersa

104
00:06:05,319 --> 00:06:07,759
Late Night vođa benda Paul schaer saksofon

105
00:06:07,759 --> 00:06:09,880
igrač Keith Evans bubnjar čarobnjak Dave

106
00:06:09,880 --> 00:06:12,919
wickle legendarni basist način pwater i

107
00:06:12,919 --> 00:06:16,360
gitara Heroji Jeff Beck i Jimmy pagee

108
00:06:16,360 --> 00:06:18,560
zabavna činjenica Leed Zeppin je snimio donijeti ga

109
00:06:18,560 --> 00:06:22,560
kod kuće u Atlantic Studiosu 24. srpnja

110
00:06:22,560 --> 00:06:24,599
Album je objavljen 1969

111
00:06:24,599 --> 00:06:26,880
Roberts kao paranza label i bio je jedan od

112
00:06:26,880 --> 00:06:29,199
njegove najprodavanije ploče desetljeća

113
00:06:29,199 --> 00:06:30,840
pa Let's Talk About Sea of Love koji

114
00:06:30,840 --> 00:06:33,080
Volio sam u verziji Phil Phillipsa Sea

115
00:06:33,080 --> 00:06:35,120
ljubavi vjerojatno je bilo samo jako jako

116
00:06:35,120 --> 00:06:38,400
blizu biti preblizu za udobnost

117
00:06:38,400 --> 00:06:40,160
ako voliš znaš da ne ne vidim

118
00:06:40,160 --> 00:06:42,400
ja u plavom topu sa šljokicama pjevam

119
00:06:42,400 --> 00:06:44,720
Vegas još uvijek oh hajde Roberte dobro

120
00:06:44,720 --> 00:06:47,160
u redu onda inzistiraš evo idemo kako

121
00:06:47,160 --> 00:06:49,240
jeste li odlučili što ćete učiniti

122
00:06:49,240 --> 00:06:52,800
lojalna, ali osebujna verzija, pretpostavljam

123
00:06:52,800 --> 00:06:54,160
Samo sam htio imati orkestar

124
00:06:54,160 --> 00:06:56,000
oko mene je to užasno priznanje ali

125
00:06:56,000 --> 00:06:57,879
Stvarno sam želio vidjeti žice

126
00:06:57,879 --> 00:07:00,160
vrteći se okolo dok sam pjevao

127
00:07:00,160 --> 00:07:01,080
i

128
00:07:01,080 --> 00:07:04,199
hm, učinio sam to u Sand Checks-u

129
00:07:04,199 --> 00:07:06,599
zadnja dva od glavnih trenutaka dva

130
00:07:06,599 --> 00:07:08,319
milijun puta uz riječi benda

131
00:07:08,319 --> 00:07:10,360
da, učinimo ovo stvarno sjajno

132
00:07:10,360 --> 00:07:12,680
napravimo napravimo

133
00:07:12,680 --> 00:07:15,199
plakati, a da bi se rasplakalo bilo je potrebno 20

134
00:07:15,199 --> 00:07:17,440
komad

135
00:07:17,690 --> 00:07:20,829
[pljesak]

136
00:07:21,080 --> 00:07:24,199
Orkestar je prirodno da sviraš

137
00:07:24,199 --> 00:07:25,440
nekoliko pjesama s Jimmyjem od tada

138
00:07:25,440 --> 00:07:27,199
već ste ih radili u ovom zvuku

139
00:07:27,199 --> 00:07:30,280
provjere, ali jeste li malo oprezni da

140
00:07:30,280 --> 00:07:31,879
ljudi bi mogli učiniti previše od ovoga

141
00:07:31,879 --> 00:07:34,000
reunion ne ne stvarno ne mislim

142
00:07:34,000 --> 00:07:36,039
itko je toliko blesav, mislim da je to

143
00:07:36,039 --> 00:07:38,440
lijepo igrati zajedno u tome u onom

144
00:07:38,440 --> 00:07:42,520
na neki način sretan i sretan

145
00:07:42,919 --> 00:07:44,960
neozbiljan pristup, znaš da sam tako i mislio

146
00:07:44,960 --> 00:07:46,319
biti drugačiji ako radimo album

147
00:07:46,319 --> 00:07:47,680
zajedno ali ovo je lijepo mogu ići i

148
00:07:47,680 --> 00:07:49,599
pjevati s njim može doći i igrati se s njim

149
00:07:49,599 --> 00:07:53,120
ja ali idemo tako različitim putevima i

150
00:07:53,120 --> 00:07:54,440
naravno da imate neke druge poznate

151
00:07:54,440 --> 00:07:56,199
gitaristi na brodu Jeff Beck Nile

152
00:07:56,199 --> 00:07:59,319
Rogers Nile je bio sjajan, mislim i Jeff

153
00:07:59,319 --> 00:08:02,319
također je bio odličan Nile je sve to znao

154
00:08:02,319 --> 00:08:03,960
pjesme i poput mnogih ljudi koji su

155
00:08:03,960 --> 00:08:05,680
dođi Naišao sam tijekom izrade

156
00:08:05,680 --> 00:08:09,120
ovog dobrog vremena ako ti se sviđaju svi

157
00:08:09,120 --> 00:08:11,400
htio samo biti uključen jer je to samo

158
00:08:11,400 --> 00:08:13,120
značilo je samo staviti nove žice

159
00:08:13,120 --> 00:08:14,599
svoju gitaru ako ste to željeli i

160
00:08:14,599 --> 00:08:17,080
ugađanje i nakon što ste otišli, ali n je

161
00:08:17,080 --> 00:08:21,080
vrlo dobar vrlo uh on je um vrlo učen

162
00:08:21,080 --> 00:08:22,599
i vrlo dobro čitan o tom razdoblju

163
00:08:22,599 --> 00:08:25,479
posebno ljuljačka wi samo Harris

164
00:08:25,479 --> 00:08:28,759
tip glazbe i Jeff isti kao i uvijek samo

165
00:08:28,759 --> 00:08:30,400
ušao i igrao nevjerojatno dobro I

166
00:08:30,400 --> 00:08:32,080
mislim da raketa u ponoć sažima moj

167
00:08:32,080 --> 00:08:33,959
osjećaj za onu skok Blues stvar i ja

168
00:08:33,959 --> 00:08:35,159
mislim da je vjerojatno daleko više

169
00:08:35,159 --> 00:08:37,399
predstavnik onoga što želim med

170
00:08:37,399 --> 00:08:40,399
kaplje da bude dobro gdje radi ovaj EP

171
00:08:40,399 --> 00:08:43,599
Stand u tvojoj karijeri sada je prvi

172
00:08:43,599 --> 00:08:45,760
od mnogih je tvoj sljedeći projekt a

173
00:08:45,760 --> 00:08:47,399
obični Robert Plant ili je to nešto drugo

174
00:08:47,399 --> 00:08:49,640
kapalice za med dobro počinjem raditi dva

175
00:08:49,640 --> 00:08:50,920
dana na sljedeći

176
00:08:50,920 --> 00:08:53,480
album, ali sviđa mi se ovaj način rada

177
00:08:53,480 --> 00:08:55,399
stvari također znaš, mislim ne znam

178
00:08:55,399 --> 00:08:57,800
bez obzira je li umirujući The Savage

179
00:08:57,800 --> 00:09:00,839
dojke zahtijeva žlicu svakog plana

180
00:09:00,839 --> 00:09:03,040
kasnije će priznati da ga je uznemirio

181
00:09:03,040 --> 00:09:05,120
način na koji je More ljubavi zasjenio njegov drugi

182
00:09:05,120 --> 00:09:07,360
singlovi solo karijere unatoč zabavi

183
00:09:07,360 --> 00:09:09,200
s projektom Robert Plant znao je on

184
00:09:09,200 --> 00:09:10,440
nije želio ići ovim putem

185
00:09:10,440 --> 00:09:13,040
zauvijek samo sam se jednog dana odlučio

186
00:09:13,040 --> 00:09:14,880
da nisam mogao samo pjevati Eddieja Cochrana

187
00:09:14,880 --> 00:09:17,240
pjesme Zauvijek je bilo vrijeme da odem

188
00:09:17,240 --> 00:09:19,440
natrag i ponovno početi pisati Imao sam puno

189
00:09:19,440 --> 00:09:20,800
osjećaja i emocija koje sam morao

190
00:09:20,800 --> 00:09:23,320
otpustiti nekako pisanje glazbe je način

191
00:09:23,320 --> 00:09:26,000
puštam sve

192
00:09:28,120 --> 00:09:30,340
taj

193
00:09:30,340 --> 00:09:35,440
[Glazba]

194
00:09:35,440 --> 00:09:37,279
Jasonova kiša od

195
00:09:37,279 --> 00:09:39,200
teror je

196
00:09:39,200 --> 00:09:41,440
tijekom petka

197
00:09:41,440 --> 00:09:44,399
13. finale

198
00:09:44,399 --> 00:09:47,360
Poglavlje od travnja do svibnja zasjedanja za

199
00:09:47,360 --> 00:09:50,160
Održava se 13 studijski album Roya Harpera

200
00:09:50,160 --> 00:09:51,880
što god se dogodilo s značajkom jugule

201
00:09:51,880 --> 00:09:53,480
Jimmy Page i akustični i električni

202
00:09:53,480 --> 00:09:56,079
gitare kao i osnova Tonyja Franklina

203
00:09:56,079 --> 00:09:58,040
album je izložio Roya Harpera širem

204
00:09:58,040 --> 00:09:59,839
publiku kroz njegovu povezanost s

205
00:09:59,839 --> 00:10:02,160
Jimmy

206
00:10:02,240 --> 00:10:12,839
[Glazba]

207
00:10:13,040 --> 00:10:14,870
svinja do

208
00:10:14,870 --> 00:10:18,800
[Glazba]

209
00:10:18,800 --> 00:10:21,440
openc Mi

210
00:10:21,440 --> 00:10:23,519
stajati na

211
00:10:23,519 --> 00:10:31,040
ručna borba za Obećanu zemlju

212
00:10:36,920 --> 00:10:44,179
[Glazba]

213
00:10:56,870 --> 00:10:58,040
[Glazba]

214
00:10:58,040 --> 00:11:00,380
w

215
00:11:00,380 --> 00:11:04,509
[pljesak]

216
00:11:08,020 --> 00:11:12,220
[pljesak]

217
00:11:12,220 --> 00:11:15,270
[Glazba]

218
00:11:15,270 --> 00:11:26,260
[pljesak]

219
00:11:27,959 --> 00:11:30,959
doći

220
00:11:33,530 --> 00:11:57,909
[Glazba]

221
00:11:58,360 --> 00:12:00,610
sh

222
00:12:00,610 --> 00:12:12,399
[Glazba]

223
00:12:12,399 --> 00:12:14,720
Midway 1984 Robert plan i njegovi

224
00:12:14,720 --> 00:12:16,600
članovi benda počinju snimati za

225
00:12:16,600 --> 00:12:19,240
njegov treći solo album uzdrmao je treći ovo

226
00:12:19,240 --> 00:12:20,920
bio bi njegov najmanje uspješan pokušaj da

227
00:12:20,920 --> 00:12:23,000
datum kada ulaze u studio sa skicama

228
00:12:23,000 --> 00:12:25,199
koji se oblikovao tijekom dugih jam sessiona

229
00:12:25,199 --> 00:12:27,440
album je sniman 6 mjeseci i

230
00:12:27,440 --> 00:12:29,079
neke od svojih kantautorskih izbora pokušao

231
00:12:29,079 --> 00:12:31,360
neka zvuči kao album iz 80-ih, ali je pao

232
00:12:31,360 --> 00:12:33,720
ravan u nekim dijelovima koji zvuči zastarjeli citat

233
00:12:33,720 --> 00:12:35,920
Robert Plant na mene je ozbiljno utjecao

234
00:12:35,920 --> 00:12:38,440
David spali pjesme nismo postojali mi

235
00:12:38,440 --> 00:12:40,199
obradio pjesme, a Robert nadoknadio

236
00:12:40,199 --> 00:12:41,839
tekstove i melodije i prepjevao

237
00:12:41,839 --> 00:12:43,519
njih onda smo otišli u studio i

238
00:12:43,519 --> 00:12:45,480
snimila kojom je Robert bio opsjednut

239
00:12:45,480 --> 00:12:47,600
biti moderan u to vrijeme koje je bilo

240
00:12:47,600 --> 00:12:49,680
Engleska glazba sredinom 80-ih je to uzela

241
00:12:49,680 --> 00:12:51,800
nesretni zaokret prema elektroničkom i

242
00:12:51,800 --> 00:12:54,639
neorganske glazbe to je želio učiniti

243
00:12:54,639 --> 00:12:56,199
ali imao je hrpu tipova u bendu

244
00:12:56,199 --> 00:12:58,320
koji su bili mojih godina i koji su odrasli igrajući se

245
00:12:58,320 --> 00:13:00,199
pravi instrument instrumenti pa smo bili

246
00:13:00,199 --> 00:13:01,920
čineći kompromis biti moderan za

247
00:13:01,920 --> 00:13:04,519
Robert neka vrsta rane krize srednjih godina

248
00:13:04,519 --> 00:13:06,680
izrasla je unutar Roberta Planta promjena od

249
00:13:06,680 --> 00:13:08,839
godišnja doba i stav je li slučaj

250
00:13:08,839 --> 00:13:11,800
sindrom glavnog pjevača njegov razvod 1983

251
00:13:11,800 --> 00:13:13,959
s Marinom koji ide različitim putevima ili

252
00:13:13,959 --> 00:13:16,120
neizbježan učinak MTB ere he

253
00:13:16,120 --> 00:13:17,760
polako bi podlegao pritisku i

254
00:13:17,760 --> 00:13:20,160
iskušenje da ostanemo moderno relevantni

255
00:13:20,160 --> 00:13:22,440
i Forever Young za razliku od svoja prva dva

256
00:13:22,440 --> 00:13:24,880
solo albumi ovaj nije imao produkciju

257
00:13:24,880 --> 00:13:27,120
pomoć Phila Collinsa i možda

258
00:13:27,120 --> 00:13:29,079
možemo se složiti da pokazuje da nakon

259
00:13:29,079 --> 00:13:31,160
sva vještina nije nešto što naučite

260
00:13:31,160 --> 00:13:33,639
preko noći sviranje benda je čvrsto

261
00:13:33,639 --> 00:13:35,399
a izvedbe doduše izlažu svoje

262
00:13:35,399 --> 00:13:37,240
muziciranje ali većina pjesama je

263
00:13:37,240 --> 00:13:39,160
nije jak i oslanja se na pretjerano

264
00:13:39,160 --> 00:13:41,240
istraživanja elektroničkih zvukova

265
00:13:41,240 --> 00:13:43,720
magija obje slike 11 i principa

266
00:13:43,720 --> 00:13:45,839
trenutaka planer nije bio

267
00:13:45,839 --> 00:13:47,760
igrajući igru, ali se zabavljajući i

268
00:13:47,760 --> 00:13:50,199
izbjegavajući klišeje koliko god je to moguće on

269
00:13:50,199 --> 00:13:51,399
rekao da ne želi slijediti

270
00:13:51,399 --> 00:13:53,839
stope citata svi prdi i starenje

271
00:13:53,839 --> 00:13:56,079
rock zvijezde ali pery se činilo da hoda

272
00:13:56,079 --> 00:13:58,079
prema toj svojoj frizuri polako

273
00:13:58,079 --> 00:14:00,240
počeo nalikovati mble najvećem u

274
00:14:00,240 --> 00:14:03,920
životni pjevački dani Zeppelina do 1988. njegov

275
00:14:03,920 --> 00:14:06,399
izgledi su bili živi Encore njegove prošlosti

276
00:14:06,399 --> 00:14:09,320
Robert je dao i klavijaturistici Jess Woodro

277
00:14:09,320 --> 00:14:11,360
i gitarista Riea Blunta naoružanog a

278
00:14:11,360 --> 00:14:13,959
Roland synth gitara zadatak dolazi

279
00:14:13,959 --> 00:14:16,440
uz plan od 80 zvukova skočio je morski pas

280
00:14:16,440 --> 00:14:18,959
u proizvodnji se previše trudi držati korak

281
00:14:18,959 --> 00:14:20,600
s trendovskim stilovima u to vrijeme

282
00:14:20,600 --> 00:14:22,160
onoga što je na albumu zvuči kao

283
00:14:22,160 --> 00:14:23,920
klavijature poput sintesajzera i to je

284
00:14:23,920 --> 00:14:25,759
Robbie preko gitarskog sintesajzera da

285
00:14:25,759 --> 00:14:27,720
To sam zapravo htio reći jer

286
00:14:27,720 --> 00:14:30,120
to je puno sintetiziranih zvukova

287
00:14:30,120 --> 00:14:32,639
u zapisniku su zapravo uh

288
00:14:32,639 --> 00:14:34,519
Robbie svira s novom Roland gitarom

289
00:14:34,519 --> 00:14:38,279
synth čiji je pristup gitara

290
00:14:38,279 --> 00:14:40,040
pristup ali zvukovi koje izlazite

291
00:14:40,040 --> 00:14:43,360
svojevrsna su kombinacija gitare i

292
00:14:43,360 --> 00:14:45,639
syn i super je mislim on je stvarno

293
00:14:45,639 --> 00:14:47,040
napravio neka čuda s tim i to

294
00:14:47,040 --> 00:14:48,480
nije bio jednostavan instrument za rad

295
00:14:48,480 --> 00:14:50,759
s njim je završio kao i svi drugi Paul

296
00:14:50,759 --> 00:14:53,079
jez Richie znaš da su svi radili

297
00:14:53,079 --> 00:14:55,880
tako je teško napraviti album punchyja

298
00:14:55,880 --> 00:14:57,639
zanimljivo album nema snimku

299
00:14:57,639 --> 00:15:00,560
studijski detalji ništa ne zvuči

300
00:15:00,560 --> 00:15:02,160
kao dva različita benda i dva

301
00:15:02,160 --> 00:15:04,199
različite zapise sastaviti možemo

302
00:15:04,199 --> 00:15:05,920
reći da je to bio hrabar album ne dajući

303
00:15:05,920 --> 00:15:08,000
publika što je htjela ali zašto uzeti

304
00:15:08,000 --> 00:15:10,839
ova krivulja tako brza da se čini kao da

305
00:15:10,839 --> 00:15:12,600
plan je bio zabrinut o ovisno o njegovom

306
00:15:12,600 --> 00:15:15,279
bend za njegov zvuk tema koja se ponavlja

307
00:15:15,279 --> 00:15:17,320
njegov sljedećih 10 godina Robertov

308
00:15:17,320 --> 00:15:19,800
četvrti album se opasno približio

309
00:15:19,800 --> 00:15:22,480
kopirati sebe ili biti parodija na njega

310
00:15:22,480 --> 00:15:24,120
starim danima iako nema

311
00:15:24,120 --> 00:15:26,240
autobiografiju niti detaljne članke o

312
00:15:26,240 --> 00:15:28,680
tema odlaska Rie Blunt to je

313
00:15:28,680 --> 00:15:29,920
lako vidjeti zašto je stvorio

314
00:15:29,920 --> 00:15:31,680
razlike s biljkom preko ove nove

315
00:15:31,680 --> 00:15:34,120
stil uzdrman st naslov albuma čini se

316
00:15:34,120 --> 00:15:36,360
proročki dolikuje i govori o

317
00:15:36,360 --> 00:15:38,399
samosabotirati ono što se dogodilo bendu

318
00:15:38,399 --> 00:15:40,360
of in the mood and slow dancer the

319
00:15:40,360 --> 00:15:42,639
slabe točke zapisa izgledaju kao CD demo

320
00:15:42,639 --> 00:15:45,360
zvukova klavijature i SN i vjeruj mi

321
00:15:45,360 --> 00:15:48,680
kao synth pop synth Rock Kusa lambra

322
00:15:48,680 --> 00:15:50,759
sintisajzeri općenito ali poput Jamesa

323
00:15:50,759 --> 00:15:55,620
Bondovo piće ne treba mućkati

324
00:15:55,620 --> 00:15:57,600
[Glazba]

325
00:15:57,600 --> 00:16:01,720
uzburkana prekršena obećanja nekako me čine

326
00:16:01,720 --> 00:16:03,700
iz bo bo

327
00:16:03,700 --> 00:16:06,889
[Glazba]

328
00:16:10,250 --> 00:16:12,720
[Glazba]

329
00:16:12,720 --> 00:16:15,480
boo saking in the bath battering your

330
00:16:15,480 --> 00:16:17,240
nos puzi u J i mislio si

331
00:16:17,240 --> 00:16:19,319
nije znao jer si i ti preglasan

332
00:16:19,319 --> 00:16:21,319
također glasno

333
00:16:21,319 --> 00:16:24,079
glasno da jesi

334
00:16:24,079 --> 00:16:27,680
hromi prijatelj kojeg susrećem u snu

335
00:16:27,680 --> 00:16:30,519
sa br

336
00:16:31,800 --> 00:16:36,020
[Glazba]

337
00:16:38,319 --> 00:16:42,639
stop zbogom break my

338
00:16:44,759 --> 00:16:47,160
srce malo po

339
00:16:47,160 --> 00:16:49,480
malo srce moje

340
00:16:49,480 --> 00:16:51,839
zeleno malo po malo

341
00:16:51,839 --> 00:16:56,279
mali zovem tvoj

342
00:16:56,600 --> 00:16:59,360
ime kao ti

343
00:16:59,360 --> 00:17:01,120
o ne

344
00:17:01,120 --> 00:17:02,800
[Glazba]

345
00:17:02,800 --> 00:17:04,240
ne hajde

346
00:17:04,240 --> 00:17:12,160
[Glazba]

347
00:17:12,160 --> 00:17:16,079
plesati s tobom

348
00:17:16,079 --> 00:17:18,919
obaviti još jedan naporan dan

349
00:17:18,919 --> 00:17:21,919
promatranje

350
00:17:23,190 --> 00:17:25,120
[Glazba]

351
00:17:25,120 --> 00:17:27,280
letjeti postoji netko koga nismo dali

352
00:17:27,280 --> 00:17:28,679
svaka čast večeras da stvarno mislim

353
00:17:28,679 --> 00:17:30,039
zaslužuje barem spomen u uhu

354
00:17:30,039 --> 00:17:31,320
evo Roberte ispravi me ako griješim i

355
00:17:31,320 --> 00:17:33,240
to je Tony H super drago mi je što si

356
00:17:33,240 --> 00:17:35,080
spomenuo sam to jer sam zaboravio, ali

357
00:17:35,080 --> 00:17:36,799
da ikada zaboravim da je Tony a

358
00:17:36,799 --> 00:17:41,160
mlada dama od oko 20 godina koja

359
00:17:41,160 --> 00:17:44,200
um ima veze s uh Daveom Stewartom

360
00:17:44,200 --> 00:17:46,360
od ritmike koju poznajem i Annie

361
00:17:46,360 --> 00:17:48,960
Lennox i ona je kao da je bila

362
00:17:48,960 --> 00:17:50,440
prateća pjevačica i imala je svoj bend

363
00:17:50,440 --> 00:17:52,200
zove The uncles i čuo sam ovo

364
00:17:52,200 --> 00:17:53,799
ploča stričeva i zvučala je kao

365
00:17:53,799 --> 00:17:54,960
šangra

366
00:17:54,960 --> 00:17:58,480
LA-ove kćeri, ako želite, ne, da

367
00:17:58,480 --> 00:18:00,480
got that kind of dis that kind of

368
00:18:00,480 --> 00:18:02,600
nezainteresirani pristup te vrste

369
00:18:02,600 --> 00:18:05,000
monotonic jednoličan sort of one note

370
00:18:05,000 --> 00:18:06,799
stvar do kraja i ja sam to čuo

371
00:18:06,799 --> 00:18:09,080
jednom je pušten na engleskom radiju i

372
00:18:09,080 --> 00:18:10,840
bilo je super i mislio sam da jesam

373
00:18:10,840 --> 00:18:12,240
moram dobiti tu djevojku, moram je pronaći

374
00:18:12,240 --> 00:18:13,600
ona mora pjevati sa mnom pa sam napisao

375
00:18:13,600 --> 00:18:16,240
dijelove za nju pjevati i ona je

376
00:18:16,240 --> 00:18:17,840
stalno na zapisniku i radi an

377
00:18:17,840 --> 00:18:19,520
nevjerojatan posao, sjajna je, odradila je

378
00:18:19,520 --> 00:18:22,039
napravio fantastičan posao Led Zeppelin

379
00:18:22,039 --> 00:18:24,159
gitarist Jimmy Paige izlazi iz a

380
00:18:24,159 --> 00:18:26,000
trogodišnje razdoblje neaktivnosti s a

381
00:18:26,000 --> 00:18:28,400
Vengeance radi na folk albumu

382
00:18:28,400 --> 00:18:30,840
sa svojim prijateljem Royem Harperom i snimanjem

383
00:18:30,840 --> 00:18:32,919
odvojeni projekti s Robertom Plantom Paulom

384
00:18:32,919 --> 00:18:35,280
Rogers and the Honey drippers njegov prvi

385
00:18:35,280 --> 00:18:38,200
solo LP trebao bi izaći u veljači

386
00:18:38,200 --> 00:18:40,799
imati prijatelja koji se došao igrati

387
00:18:40,799 --> 00:18:43,760
s nama veliki gitarist g. Jimmy

388
00:18:43,760 --> 00:18:46,200
P

389
00:18:46,540 --> 00:18:51,270
[pljesak]

390
00:18:57,320 --> 00:19:00,320
da

391
00:19:09,440 --> 00:19:16,050
[pljesak]

392
00:19:16,050 --> 00:19:25,339
[Glazba]

393
00:19:27,240 --> 00:19:29,500
h

394
00:19:29,500 --> 00:19:34,830
[Glazba]

395
00:19:34,830 --> 00:19:36,030
[pljesak]

396
00:19:36,030 --> 00:19:47,280
[Glazba]

397
00:19:47,280 --> 00:19:50,840
[pljesak]

398
00:19:50,840 --> 00:19:57,179
[Glazba]

399
00:19:57,240 --> 00:19:58,850
dobiti

400
00:19:58,850 --> 00:20:24,330
[Glazba]

401
00:20:27,159 --> 00:20:30,159
on

402
00:20:32,160 --> 00:20:52,960
[Glazba]

403
00:20:57,120 --> 00:21:00,120
m

404
00:21:04,180 --> 00:21:24,099
[Glazba]

405
00:21:26,240 --> 00:21:29,240
a
